
The day I left for Newcastle I met with two of the most talented mortals on the planet, David McAlmont and Guy Davies, who are now FINGERSNAP. There is a very good reason for the decision to call themselves something other than 'David McAlmont', and I will share that with you in my next blog....it all makes perfect sense.
So, here I am at the Groucho Club in the presence of greatness, not just my musical virtuosos but some of the most influential people in the music industry. As most of you know, I am a film publicist of some years and never thought the day would come when I would stray into the music scene, me a rock-chick at my age!! But I LOVE it, I love the creativity and learning about the layering of a great song. On reflection, it isn't that unlike the movie industry....shooting a film is just the beginning of the process, then comes the grading, the edit, the voice synching, the ADR, the music, and much, much more before you finally buy your cinema ticket...Fingersnap has a new EP, almost ready, and I am privileged to have heard all four fantastic tracks prior to their final remastering, which I am already humming. The lyrics are meaningful, heartfelt and topical. They are also quite brilliant. The synergy between these two very different and apposite men, is inspiring. The meeting starts and David's 'flame-haired Scouser compadre' takes the lead. Guy is the relentless driving force of the pair, and at times they behave like an old married couple, as David (and I) try to keep up with the 'business' side of things!
Our fellow team-members have many collective years in a tough old business, which has changed beyond recognition since the demise of vinyl. But blimey, they have kept up, and they know their stuff, I am in awe. The 'baby' of the team is a young computer whizz-kid, a technical and creative genius who will catapult our Fingersnapping duo in to the ether, to be enjoyed and appreciated all over the world. You gotta just love the internet. My job is more straightforward, as I shall be promoting their UK tour, the gigs that are being lined up kicking off at the Cluny in Newcastle, then Leeds and Manchester. There will be many more dates and venues and all will be announced soon via their website which is being tweaked and tinkered with as we speak.
I leave the Groucho inspired,excited, energised, and longing to get back 'on the road' with 'my boys'.
So, then it's over to Kings Cross for the long old haul up North. I am far too early, as usual, and hang about for the 2.30 train....which, according to the boards, is 'being prepared'. The station is packed with Geordies so I figure it's going to be a bun fight for the train (and a seat!)....at 2.25pm the board announces the train is cancelled....but how can this be as the last column is still displaying the fact that it is being cleaned and made ready for our departure? Inevitably, the damn train was indeed cancelled and so hundreds of us had to be crammed on to the subsequent Glasgow (via Edinburgh!) train, which lucky for me was stopping in Newcastle.....happily I did get a seat, and had a pleasant journey re-reading the script of 'Interview with a Hitman', the reason for my journey.
The last time I was in Newcastle I was with Charlie Dance, and the time before that with Rutger Hauer, so a fair time ago. As we pulled in to this very attractive and vibrant city, the sun came out but I was apprehensive. I had been hired at the last minute, and the film was already nearing the 'wrap' stage. Anyone who does this job knows how hard it is to be a member of the crew, but not to have shared the pain of the long nights, and long days on a three-week production. Yes, three weeks! This is not a short, this is an ambitious full length feature film, with 33 cast members, superlative crew, a multilayered and complex script, night shoots and a micro budget. When I arrive, I am welcomed with open arms - it's been a tough shoot and everyone is tired, and I really mean exhausted; they are hungry and frustrated - so I was happily surprised by my warm and friendly greeting. Perhaps now that the publicist has arrived, they can see beyond the weariness and imagine the film's name in lights, the posters on the sides of buses, and dare we imagine a red-carpet London Premiere?
I had worked with Luke Goss, the star of the film 'Interview with a Hitman ', once before, many years ago on a Sky production 'The Stretch'. His manager (a lovely man called David) remembered me from those days, and Luke also greeted me fondly. He hasn't changed a bit in 20 years (unlike this publicist!), still handsome, still honed, and still fragrant (he wears a heftily expensive scent - I couldn't possibly call it aftershave - called Creed, which costs more than my council tax!) He is very warm and friendly and flashes me the whitest of smiles....
And so begins, four very full-on days/nights in Newcastle. We got a lot done, and it was only thanks to the cooperation of Luke and some very key crew members, who were all really up against it time-wise. I had a really great time, fell in love with Newcastle all over again, and felt pretty happy with what we had achieved in such a short time. Interviews, and a brilliant photoshoot with the sweetest and cleverest photographer Topher McGrillis, which produced some amazing images, which sadly I can't show you yet....but look out for the posters!I am back in London again, and miss my new mates from the shoot. They are a staggering testament to why we have a reputation for producing the best of British in terms of creativity, and technical know-how, which is respected the world over. I for one would like to congratulate them all.
